Bella Swan Wedding Makeup Tutorial “Breaking Dawn Part 1″

Taken from HERE ,





The first thing to do is neutralize any discoloration on the eyelid. I normally use a little foundation, concealer or a flesh-toned eye pencil (Three Custom Color Clarifier Pencil) all over the eye area up to the brow, then set with translucent powder.  This eliminates the need to use a flesh-toned eyeshadow as a “base” color and creates a more stable/long-lasting canvas for the eye makeup application.
Bella’s eyelid is washed  with shimmering eyeshadow that reflects light without sparkling (let’s leave that effect to Edward’s skin in the sun). Start with a shimmering Champagne color like OCC’s Loose Color in Clove.  Apply to the very inner corner of the eye (by the tear-duct) and blend this color outward towards the center of the eyelid. Next, we need a honey brown color and Inglot Pearl Eyeshadow #421 has a beautiful warm tone and subtle glow.  Apply the eyeshadow starting at the outside corner of the eyelid, blending inward and also up into the crease.   If applied correctly, these two colors should create a soft gradient effect of light to dark on the lid (check the image above if you’re unsure of placement).
Bella’s eye is then softly defined and smudged.  I suggest a powder kohl pencil for this and the  MAC Eye Kohl Liner in Phone Number is the right texture and charcoal color.  Holding the pencil tip parallel to the lash line (not point in), begin drawing the line from where the inner lashes start and graduate from thin to a thicker line as you reach the outer corner of the eyelid.  This gives the eye a slight upward tilt and keeps it looking fresh and open. Take a small eyeshadow brush and diffuse the line by blending and smudging the liner into the lashes and blurring the hard edge. Now set the liner (using the same brush) with a matte taupe eyeshadow.  Nars Matte Eyeshadow in Bali is a good choice.  Use the same eyeshadow to line the lower lashes 3/4 of the way in from the outside corner.  Don’t go all the way to the inside corner, we want to keep the eye open.  Brows must be groomed and filled in softly.  I usually use an eyeshadow that matches the hair color and mix it with a little hard hair wax so I can color and groom eyebrows in one step.  If you don’t feel like being a home chemist, try Benefit Brow Zings or Smashbox Brow Tech.
Apply two coats of black mascara to the upper lashes, combing through to remove clumps and separate lashes between coats.  I don’t suggest mascara on the lower lashes unless you have light or blond lashes. If that’s the case, wipe the mascara wand off with a tissue and use what’s left on the bristles to “dye” your light lashes without adding volume.
Bella’s skin looks beautifully smooth and even toned.  This begins with the correct complexion products.  Always start with well moisturized and primed skin.  I’m a creature of habit and won’t begin a makeup until I’ve prepped with Embryolisse Lait Creme Concentrate (normal/dry) or Emulsion Hydra-Mat (combo/oily).  I can’t stress how important moisturizer is to a finished makeup …even on oily skin.  I feel the same way about primers.  Foundation needs a correctly primed surface (like a painter’s canvas) to apply evenly and stay put.  CoverFX Skin Prep (normal/dry) or DermaDoctor Tease Zone (combo/oily) are two of my faves, but there are many other amazing primers out there.  So experiment and see which formulas work best with the foundation you use.
I prefer to use silicone based foundations because they don’t sink into or clog pores.  They’re also naturally water-resistant …so tears, perspiration, etc. have no effect on them.
I understand that foundation is a personal thing, so I’d rather show options and let you make your own decisions (these are some of the brands my fellow makeup artists use). The only thing I’m absolutely adament about is color matching. When you swatch a foundation on the jawline, it MUST match the skin on the neck directly below it.  If it doesn’t – you got the wrong color and need to keep looking.  I carry full coverage foundations in my kit so I can control how much coverage I use (sheer, moderate, full).  Having full coverage products also eliminates the need to carry separate concealers.  But if you insist on having both, these are concealers I guarantee will work brilliantly.
Cheeks MUST look naturally flushed.  The only way to get this effect is with a mauve/rose toned blush.  It should appear that blood (which is a deep violet colored before exposed to oxygen) has flooded the area and is being seen through flesh tone.  I like using a cream/gel blush and then blending it into the skin with a foundation brush that still has a slight residue of foundation on it.  It tempers the color and makes it look very realistic.  One of my all time bridal blush faves is Tarte Cheek Stain in Blushing Bride (the name says it all, right?).
Finally lips …which in this case are very natural looking but with a lovely innocent shimmer.  One of three lip liners that are always in my makeup kit is Make Up For Ever Aqua Lip #3L.  It’s the perfect rosey nude and WATERPROOF!  Define and fill in the lips entirely with this pencil, let it set for few minutes and then top it off with Armour Beauty Shimmering Gloss in Gypsy (a soft peach with gold shimmer).
So, there it is – have fun at the wedding!

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Travel Hazards -Jackson Rathbone





The actor Jackson Rathbone stars in The Twilight Saga: Breaking Dawn-Part 1, in theaters now, and the web series, Aim High, which he co-produced with McG. Next year, he will head back out on tour with his band, 100 Monkeys. Here, her writes about how her got that black eye as part of our Winter Issue's Travel Tales feature
We'll be posting more travel pieces by everyone from Momofuku pastry chef Christina Tosi to Lady Gaga stylist Nicola Formichetti. You can read about Sasha Grey's trip to Thailand and Germany here.
It was the spring of 2010 and I was in love. The girl who had stolen my heart was a black 2006 custom Gibson Les Paul. We had met in the City of Angels on my 25th birthday. She wanted to come home with me, and I could tell this would be more than a one-night stand. This was love -- not my first -- but the last in a long line of broken strings and humbuckers. Our love was electric. She sang to me, and I knew her name was Betty.
I had been on the road with my band, 100 Monkeys, playing shows across North America. On this leg of the tour, we were playing dive bars and juke joints, caravanning with a small trailer lugged by an old Ford van, followed by a small white Scion xB. It wasn't luxurious by any means, but we were able to connect with our fans on a personal level.
The end of the tour brought 100 Monkeys back to our home state of California, to San Francisco specifically. We had one day off to explore the city, but we spent it in a dingy rehearsal space near the main piers on the industrial side of town. We were writing new songs for our return to Los Angeles in preparation for our future album, Liquid Zoo. After all, music was why we were there, and we had already driven by the famous Haight-Ashbury, now home to a Gap. We preferred to keep playing as opposed to sightseeing.
After rehearsal, we began unloading in a rather disorderly fashion -- joking, sipping beers and passing back instruments and gear, which we lined up along a dimly-lit, one-way alley. I was humming the still half-written lyrics for our future song "Prayer," while directing our tour manager as he backed the van-trailer through the narrow street. Though I was on "night watch" duty, I (admittedly) lost focus of our precious instruments and gear. I would soon learn to never ever make that mistake again. My beloved Betty was gone.
I was in a panic, my senses fully alert. I could taste the salty San Franciscan air, polluted with sticky-sweet carbon dioxide, and my own fear. I could smell the bay, miles away, lapping against the shoreline like an excited Jack Russell terrier. Then, from the corner of my eye, I saw a shadow. I turned: "Hey!" A singular exclamation that meant: "You son of a bitch! That's my guitar! Get your ass back here before I cut off your sticky fingers and shove them so deeply into every known orifice that your parents will reel back and choose to never consummate that moment of lust years ago when you were merely a swimming little spunk in your father's left testicle!"
The shadowy figure started running, and so did I.
There are moments you will always remember, and then there are moments when you awaken flying through the air in a fury of righteous anger and indignation, where physical bodies impact much like comets in the cosmos, exploding upon impact, each chipping away at the other and wrestling over a freshly painted guitar case containing a sleeping object of ebony, mahogany and my bleeding, beating heart. I tackled the shadow and it swung back, wild with elbows and fists. My hands bit into concrete to cushion my fall. I held onto the guitar case amidst the writhing and the swinging limbs, as blood began to flow from my temple. Suddenly, the shadow was gone. I began to breathe again. I was alone with my love in my arms.



By M.S on IMPRINTATION